
Quick. What's the worst movie you have ever seen??
...Keep thinking, you can do better than that...
Well regardless, I'm sure any bad film shares at least one thing in common; they were
trying to be good.
But what about the other way around, what about a movie studio that had no care in the world how well its films were received, didn't care about oscar nominations, special effects or anything pretentious. What about a movie studio focused on making terrible films that made no sense.
Such a thing actually exists. Troma Studios.
As close as it will ever be at least, Troma Entertainment is a studio (not really, an office in NYC)

that devotes itself to making low budget cheap thrill cult horror flicks. They are exploitation shock films showing off as much gore and nudity as possible. It's pretty much the epitome of the "B-Movie". It is the brainchild of Lloyd Kaufman, a Yale graduate who began a legitimate film career after college. Always a quirky guy and upset with people in the industry, Lloyd began making raunchy short films. His claim to fame was the movie, The Toxic Avenger, a comic book type cult film. From there, Troma was officially born and began its true independent glory. Such stars such as Samuel L. Jackson, Kevin Costner, Marisa Tomei, Billy Bob Thornton,Trey Parker & Matt Stone and writer/director James Gunn(Slither) have all began their careers in Troma movies. Films like Blood Sucking Freaks, Chopper Chicks in Zombietown, Cannibal! The Musical, Fat Guy Goes Nutzoid, Pterodactyl Woman From Beverly Hills and the soon to be released Poultrygeist! The Night Of The Chicken Dead are just some of what Troma has to offer.
You see, I first stumble upon Troma when I netflixed something called "Make Your Own Damn Movie" figuring I'd get some insightful advice. It turned out to be a big slap in the face of filmmaking made by Kaufman himself. It was poorly put together and the campy advice made you want Kaufman to eat a pile of toilet paper that you shat on, you know cause, he'd probably be into that sort of thing.
Then again, if anything it gets you thinking. What is filmmaking?, what should movies be? Art or Entertainment? Why should only a select few in Hollywood be monopolizing the business? With most professors, students, critics and the like claiming to talk of an "essence" of film, I mean, isn't all subjective really? So what do you think? What do you look for in your movies? Whats your take?